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Directed by Benh Zeitlin. Screenplay,
Lucy Alibar, Zeitlin, based on the stage play "Juicy and Delicious"
by Alibar.
Already a 4-time Cannes Award Winner
and 2-time Sundance Award Winner (both 2012) comes the mystical and precious
BEASTS OF THE SOUTHERN WILD
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I saw this amazing movie today with Lee. I can't remember the last time I was saw a movie as powerful as this. I am sort of speechless about it, I will have to see it again.
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At home in the Bathtub, a marshy swampland off the
coast of southern Louisiana, 6-year-old Hushpuppy lives by au're small, you gotta fix what you can." |
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Wink by Dwight Henry. Wink can be cruel
at times, as when he hits Hushpuppy after her attempt to prepare her own dinner
sends part of their ramshackle home up in flames, but his principal concern is
for the girl's safety. Once the rains come, he becomes her fierce protector,
that establishes the emotional backbone for the picture.
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An almost primordial wilderness cut off
from the rest of Louisiana by a long wall of levees. Here, an unapologetically
uncivilized crowd of humans live alongside the animals that sustain them,
blissfully disconnected from their resource-burning neighbors to the north.
When judgment comes in the form of rising tides and vengeful beasts, this
mystical realm independent of government and law will be the first to feel the
consequences.
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The children face the greatest danger.
Among them, Hushpuppy, possessed of incredible poise and almost feral
intensity, already fends reasonably well for herself, sharing a sort of
treehouse trailer with her father, Wink who hasn't been the same since
Hushpuppy's mom "swam away" years earlier.
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Possessed of incredible poise and almost feral
intensity) already fends reasonably well for herself, sharing a sort of treehouse
trailer with her father, Wink. |
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In a forgotten but defiant bayou
community cut off from the world by a sprawling levee, six year-old Hushpuppy
exists on the brink of orphanhood. Her
mother long gone, and her father Wink a wildman on a perpetual spree, Hushpuppy
is left to her own devices on an isolated compound filled with semi-feral
animals. She perceives the natural
world to be a fragile web of living, breathing, squirting things, in which the
entire universe depends on everything fitting together just right.
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Every culture has its flood myth, and with this
project, Zeitlin and Alibar create a new American fable all the more potent in
the wake of Katrina |
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