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I saw "Take This Waltz" takes its title and mood of
romantic fatalism from the Leonard Cohen song heard during a lovemaking montage
of indeterminate reality/fantasy status. Is a comfortable marriage really marriage
enough?
Margot, as played by the unerring and complicatedly honest
Williams, might never be content.
Is Margot a flake, or a woman simply following her heart,
right behind her loins? Not all of "Take This Waltz" The actors are excellent. Rogen falls very
comfortably into the role of a 29-year-old who has fallen very comfortably into
a living thing — a marriage — and stopped working on it. Williams is the
ringer, a welter of difficult, delicate feelings in search of a resting place.
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Margot, as played by the unerring and complicatedly honest
Williams, might never be content.
It avoids the standard formula and is a compelling dance,
with just the right touch of the unconventional.
The Daniel (Luke Kirby), with whom Margot finds instant
attraction. Films exploring female
sexuality, where Take This Waltz differs from other movies. Daniel, who pulls a rickshaw, He loves Margot, and when he can’t seduce her
body, he very effectively seduces her mind.
It is emotionally self-aware film and all three leads brilliantly convey the
subtle nuances of characters caught in the various stages of a love triangle.
We had a nice Italian lunch in Norton St and talked a lot.